Sunday, 15 July 2012
Wednesday, 11 July 2012
Grupo de texto poético
Work submited by Grupo de texto poético, Spain, to the exhibition Arte Postal, Bienal de Sao Paulo, 1981, organized by Walter Zanini and Julio Plaza
Claes, what is a happening?
Robert Pincus-Witten: Claes, what is a happening?
Claes Oldenburg: A happening is a breaking down of the barriers between the arts, and something close to an actual experience. It should be a very free form, a very ambiguous and suggestive form. I think it's filled with unexplored and primitive possibilities. I like it to be that way - like it to be as unpredictable as possible.
… I think the
happening is a potential work of art. I talk of it all the time as a
composition or work of art. But maybe that’s not so important. Maybe it’s more
important that it’s a certain experience: simply sitting and watching in an
isolated way something that’s very familiar. I’d like to get away from the
notion of a work of art as something outside of experience, something that is
located in museums, something that is terribly precious. I’d like to think of a
normal, natural experience in terms of a work of art. I don’t think the notion
of the detached work of art – this aristocratic work of art – is a very useful
notion anymore. People don’t want that. They suffer with that notion and they
would prefer to have a redefinition of art in something closer to themselves.
… a Western audience has to have explanations. They really
can’t watch anything for its own sake. They have to have an explanation first
or a reason for watching it. They really don’t watch a thing. They follow an
idea as it unravels, and everything represents the unravelling of an idea. The
happening, as I practice it, creates a lot of discomfort for the audience. It’s
an attempt to rattle them out of the notion that they are going to watch a play
or an idea unfold. I try to make them uncomfortable to a certain degree, to
make them bored to a certain degree, and to make them receptive to a new way of
looking at things.
The Transformation of Daddy Warbucks: An interview with Claes Oldenburg by Robert Pincus-Witten 1963.
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